Give ’em a listen. You won’t be disappointed.
Give ’em a listen. You won’t be disappointed.
Glen Campbell has passed on. From his official website:
It is with the heaviest of hearts that we announce the passing of our beloved husband, father, grandfather, and legendary singer and guitarist, Glen Travis Campbell, at the age of 81, following his long and courageous battle with Alzheimer’s disease.
Glen is survived by his wife, Kim Campbell of Nashville, TN; their three children, Cal, Shannon and Ashley; his children from previous marriages, Debby, Kelli, Travis, Kane, and Dillon; ten grandchildren, great- and great-great-grandchildren; sisters Barbara, Sandra, and Jane; and brothers John Wallace “Shorty” and Gerald.
In lieu of flowers, donations can be made to the Glen Campbell Memorial Fund at BrightFocus Foundation through the CareLiving.org donation page.
I was and continue to be a Glen Campbell fan. My thoughts and prayers go out to his family, friends and fans.
Baby Driver (2017)
Director: Edgar Wright
Screenplay: Edgar Wright
Stars: Ansel Elgort, Jon Bernthal, Jon Hamm, Eiza González, Lily James, Kevin Spacey and CJ Jones.
The Pitch: “Hey, Edgar Wright has this cool idea for a crime love story wrapped around a killer soundtrack!”
Tagline: All you need is one killer track.
The Overview: Beware of Spoilers…
Baby is a young getaway driver working off a debt to a crime boss. Baby has one more heist to drive and he’s out debt-free. Then Baby meets the girl of his dreams and things get complicated, not because of her but because preparation for the job goes sideways. People die and Baby finds himself on the run from his team and the cops.
Edgar Wright has created a cool, action-packed love story wrapped around bigger than life characters all moving through life to their own internal soundtrack. The more I think about Baby Driver the more I like it. Wright’s story is a fable or yarn that has all of the characters you’d want, played by people you’d cast. Yeah, Baby Driver deserves an “A”.
Today he is no longer able to talk or understand speech. But before slipping into this last stage, he did decide to record one more album…
…Choosing the songs was easy. “It was about helping Glen check off his bucket list,” says Kim, 58. “Any time that Glen picked up a guitar at home, these were the songs he would play for fun: Don’t Think Twice, It’s All Right, A Thing Called Love. They were always his go-to songs.
My heart goes out to Glen Campbell, his family and his fans.
Alex Maidy and JoBlo.com posted their choices for the Top 10 Movie Soundtracks of All Time. Using just their list here are my top three and my suggestions for soundtracks that should have made the cut….
#8 – SUPERFLY
#6 – GUARDIANS OF THE GALAXY
#1 – PULP FICTION
How could these soundtracks not have made the cut…
– Saturday Night Fever: Biggest selling soundtrack ever.
– Nighthawks: So under-rated as a film and soundtrack.
– Sharkey’s Machine: see above
– From Dusk Til Dawn: Tarantino knows how to make a soundtrack.
– Jackie Brown: See above.
– Escape from New York: John Carpenter soundtrack!
– Sin City: Robert Rodriguez soundtrack
– Rocky: Bill Conti classic.
What did I miss?
Puddles the Sad Clown with the Golden Voice has the Folsom Prison Pinball Blues! There is no way these two songs should combine to create a song this good!
George Michael died yesterday. He was 53.
Like most folks, I first became aware of George Michael when “Wake Me Up Before You Go Go” hit the charts back in the 1980s. At the time Michael was part of the duo Wham. The song was an upbeat, fun tune and featured Michael dancing as he sang giving us no insight into the artist we were viewing.
It wasn’t until Michael left Wham and began recording on his own that we would see his true talents emerge. Michael sold more than 100 million records worldwide, had seven number one singles in the UK and eight number one hits on the Billboard Hot 100 in the US. Billboard ranks him the 40th-most successful artist to ever live.
Michael was a generous man performing in many concerts with the proceeds designated for charities, donating all of the proceeds from the single “Don’t Let the Sun Go Down on Me” among ten different charities for children, AIDS and education. Michael also supported the Elton John AIDS Foundation and gave to other charities anonymously.
George Michael always seemed to me the perfect example of a troubled artist. A good looking guy, who wanted to be seen as more than just another handsome face. A man who appeared to have it all but struggled with private issues. A generous man with talent and financial resources that he shared with the world.
Rest in Peace, George Michael. Your music and memory will live on.
Our thoughts and prayers go out to George Michael’s family, friends and fans.
The Monkees, Head, and the 60s by Peter Mills will be released later this month.
It’s cool that The Monkees dismissed as the “pre-fab four” is not only still making popular music 50 years later, but have outsold and out-lasted almost every other of their contemporaries.
7. IT WAS ALMOST TITLED ABRACADABRA.
All four Beatles liked that name, wrote Barry Miles in his Paul McCartney bio, Many Years From Now. Also considered: Four Sides of the Circle and Fat Man. Ringo, noting that the Rolling Stones had just come out with Aftermath, suggested After Geography. They finally settled on Revolver, because an album spins, man.
8. WITHOUT REVOLVER, THERE’D BE NO “BOHEMIAN RHAPSODY.”
Up until the spring of 1966, The Beatles had used a fairly conventional studio technique to make vocals sound richer: double tracking, in which the lead singer would simply record his vocals twice onto different tape tracks. But John Lennon hated doing this. So to accommodate him, EMI engineer Ken Townsend invented “automatic double tracking,” which allowed one performance to be recorded on two tape machines—with one delayed by about 100 milliseconds, automatically creating a nice, thick sound.
11. THEY NEVER PLAYED ANY PART OF THE ALBUM LIVE.
The Beatles were near the end of their touring days, but not quite. They began a 14-city North America circuit in Chicago on August 12, just four days after Revolver’s U.S. release. But they didn’t feel it was possible to reproduce the album’s technically sophisticated, studio-crafted songs on stage. The most recently recorded track that audiences heard was “Paperback Writer,” the number one hit single they had released on May 30, 1966. The Beatles’ last concert was on August 29, 1966, at Candlestick Park in San Francisco. But nobody outside the band knew it at the time.
3. CONTRARY TO POPULAR BELIEF, THERE IS NO ACTUAL CONNECTION BETWEEN AMERICAN GRAFFITI AND HAPPY DAYS.
Happy Days premiered five months after American Graffiti was released. It was set in the ’50s, had Ron Howard playing a teen very similar to his American Graffiti character, used “Rock Around the Clock” as its theme song, and even borrowed the American Graffiti font for the credits. You’d think that Happy Days was somehow a spin-off of the movie, but you’d be wrong. It actually began as an unsold pilot in 1971 and aired in 1972 as part of the anthology series Love, American Style. (Lucas watched it at some point when he was considering casting Howard in American Graffiti.) After the movie took off, and with ’50s nostalgia in high gear (Grease was burning up Broadway), ABC reconsidered the Happy Days pilot, ordered a series, and did everything they could to make it remind people of American Graffiti. It ran for 10 years and was one of the most popular sitcoms in TV history.
8. THE PRODUCER HAD TO BECOME MACKENZIE PHILLIPS’ LEGAL GUARDIAN FOR THE SHOOT.
Mackenzie Phillips was just 12 years old when she arrived to make the film, and though she had showbiz experience (her father, John Phillips, was in The Mamas & the Papas), neither she nor her parents realized that California law required her to have a guardian present. “They were almost going to have to recast me, but Gary Kurtz”—a producer on the film—”and his family said, ‘We’ll take her,'” Phillips said in 1999. ” So they went to the courts in San Francisco and got guardianship of me.” Phillips lived with the Kurtzes for the duration of the shoot and described it as a happy experience.
2. IT WAS SAVED FROM BECOMING A TV MOVIE BY THE GODFATHER.
Universal Pictures gave Lucas a budget of $600,000, or about $3.5 million in 2016 dollars, to make the movie—in other words, not very much. When Coppola came onboard as a producer shortly after the release of The Godfather, Universal gave Lucas another $175,000. Later, when the film was finished and had test-screened positively, Universal inexplicably wanted to drastically re-edit it and release it as a TV movie. Lucas objected but had no clout. Coppola, on the other hand—by this time an Oscar-winner—could make studio executives listen. He convinced them to do only a little bit of trimming (the deleted scenes were reincorporated for home video release) and to release the film theatrically.